Saskia Rowley
-1
archive,paged,author,author-wacc_sr,author-2,paged-14,author-paged-14,bridge-core-3.3.3,qodef-qi--no-touch,qi-addons-for-elementor-1.8.9,qode-page-transition-enabled,ajax_fade,page_not_loaded,,qode-title-hidden,qode-smooth-scroll-enabled,qode-child-theme-ver-1.0.0,qode-theme-ver-30.8.5,qode-theme-bridge,qode_header_in_grid,qode-wpml-enabled,wpb-js-composer js-comp-ver-8.2,vc_responsive,elementor-default,elementor-kit-41156

Berlin (Germany) 2023 At the 73rd International Film Festival Berlin held February 16-26, 2023, the Ecumenical Jury, appointed by INTERFILM and SIGNIS, awarded its Prize in the International Competition to Tótem directed by Lila Avilés (Mexico, Denmark, France, 2023). Motivation: The film is a moving portrait of...

[caption id="attachment_51407" align="alignleft" width="190"] MD 2023/1[/caption] Media Development 2023-1 Utopia or Bust: In Search of Inclusion Two “utopias” are examined in this issue: the potential impact on communication policies of Latin America’s Pink Tide 2.0 – the resurgence of a turn towards left-wing governments in Latin American democracies...

The term “Metaverse” was first used in Neil Stevenson’s 1992 novel Snow Crash, where it is described as a three-dimensional world accessed using goggles, similar to today’s VR headsets. In the novel, Hiro Protagonist, a computer hacker and pizza delivery guy, moves in and out of...

Philip Lee Like all digital technologies, the Metaverse ought to be a public good and, therefore, of direct benefit to society. A system that interweaves multiple sources of information across different platforms should be useful, affordable, accessible, and egalitarian. Yet the history of communication technologies demonstrates that...