Media Development 2019/4
22820
paged,page-template,page-template-blog-small-image,page-template-blog-small-image-php,page,page-id-22820,page-child,parent-pageid-22491,paged-11,page-paged-11,theme-bridge,bridge-core-2.6.1,woocommerce-no-js,qode-page-transition-enabled,ajax_fade,page_not_loaded,,qode-title-hidden,side_area_uncovered_from_content,columns-4,qode-child-theme-ver-1.0.0,qode-theme-ver-24.6,qode-theme-bridge,qode_header_in_grid,qode-wpml-enabled,wpb-js-composer js-comp-ver-6.4.2,vc_responsive

By Philip Lee

It’s a difficult question. Why do people need cinema? Is it merely to take us out of ourselves, to relieve ourselves temporarily of the burdens of life? Is it simply a form of escapism from the day-to-day problems that beset us – personal, familial, financial, moral, spiritual?

By Heidi Ippolito

2020 has been a year of apocalyptic revelations in the U.S., uncovering national failings and imaginative alternatives amidst turbulent times. An inadequate national response to a global pandemic, raging environmental disasters, a chaotic presidential election, and an ongoing reckoning for racial inequity and police violence.

By John P. Ferré

The last decade has been a strong one for critically acclaimed movies about faith. With the exception of Spotlight, the $20 million Universal Studios release about the Boston Globe’s investigation of paedophile priests that won Academy Awards for Best Picture and Best Original Screenplay, movies about faith have been independent productions made with modest budgets.

Por Carlos A. Valle

El secreto de las películas es que son una ilusión. (George Lucas)

Este es un mundo absorbido por un océano de desarrollo tecnológico del que dependen cada vez más los estados para su funcionamiento como las empresas mismas y la economía mundial para sus transacciones, sin entrar a detallar como ha ido modelando la vida privada. El celular, la computadora, los juegos electrónicos habitan permanentemente en una gran franja de la sociedad moderna, como si fuera una extensión más del mismo ser humano.

By David Griffiths

2020 was supposed to be an epic year of cinematic blockbusters. It was a year where the box office was supposed to be dominated by some of the biggest franchises in cinematic history. Daniel Craig was set to return as the iconic James Bond, the Marvel juggernaut was set to roll on with the release of Black Widow while their rivals DC Comics were set to release Wonder Woman. Then of course there was also Christoper Nolan’s new film Tenet, while the cinematic territories that I write the most for, Australia and Thailand, were also eagerly anticipating the releases of Mulan and a new Fast & Furious film.

By S. Brent Plate

The global coronavirus pandemic has prompted a new round of apocalyptic predictions for the survival of cinema as we know it. During the 2020 lockdown, while corona cases were continually tallied, news reports told of the imminent end of the glorious pastime. Variety asked, “Will Movie Theaters Survive Corona?” CNBC said, “Dire outlook for cinemas as coronavirus resurges in U.S.,” while CNN noted, “Movie theaters are struggling to survive the pandemic.”