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March, the month set aside to honour women's contributions to American history is today commemorated worldwide as "Women's history month". Achieving an equal future in a Covid-19 world is the theme...
New data from global research with additional analysis of Covid-19 news
Twenty-five years after the Fourth UN World Conference on Women (Beijing), the news media remain far from being inclusive spaces...
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Free Press Unlimited has named Sarah Macharia, co-ordinator of WACC’s Global Media Monitoring Project (GMMP) as its first Gender Equality Champion for its Media4Women Campaign, which shares the stories of...
In the first issue of 2021, WACC’s Media Development magazine explores various aspects of cinema’s future, “recognising that people need art, drama, literature, music, and film in order to help...
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The Washington Post (2 February 2021) reported, “Former president Donald Trump lost the 2020 election largely due to his handling of the coronavirus pandemic, according to a post-election autopsy completed by Trump campaign pollster Tony Fabrizio. The 27-page document shows that voters in 10 key states rated the pandemic as their top voting issue, and President Biden won higher marks on the topic.”
[caption id="attachment_34179" align="alignleft" width="190"] MD 2021/1[/caption]
Media Development 2021-1
Coming To A Screen Near You:
The Future of Cinema
Why do we need cinema? Is it simply a form of escapism from the day-to-day...
By Philip Lee
It’s a difficult question. Why do people need cinema? Is it merely to take us out of ourselves, to relieve ourselves temporarily of the burdens of life? Is it simply a form of escapism from the day-to-day problems that beset us – personal, familial, financial, moral, spiritual?
By Heidi Ippolito
2020 has been a year of apocalyptic revelations in the U.S., uncovering national failings and imaginative alternatives amidst turbulent times. An inadequate national response to a global pandemic, raging environmental disasters, a chaotic presidential election, and an ongoing reckoning for racial inequity and police violence.
By John P. Ferré
The last decade has been a strong one for critically acclaimed movies about faith. With the exception of Spotlight, the $20 million Universal Studios release about the Boston Globe’s investigation of paedophile priests that won Academy Awards for Best Picture and Best Original Screenplay, movies about faith have been independent productions made with modest budgets.
By Gabriella Lettini
The early days of filmmaking led scholars, artists, and intellectuals of the era to engage in heated discussions on whether cinema was an artistic expression at all or merely a new form of technology and on how cinema was different from any other art.